PERUBAHAAN PARADIGMA MUSIK DANGDUT RHOMA IRAMA

Sustyorini, Ervy (2008) PERUBAHAAN PARADIGMA MUSIK DANGDUT RHOMA IRAMA. Other thesis, University of Muhammadiyah Malang.

[img]
Preview
Text
PERUBAHAAN_PARADIGMA_MUSIK_DANGDUT_RHOMA_IRAMA.pdf

Download (111kB) | Preview

Abstract

Trend music in Indonesia is seeping from music in America; there is music Rock, Jazz, music Latin, Music Lambada, music Etnis, music Rap, and music Orchestra. Indonesia musicions hopes can become host in country, through music dangdut the always identical with Malay Javanese songs. Excellence which able to be gotten from this music type, be easier dangdut songs idyll to be understood and easy to be synchronized is liver by the hearers. Talks about music dangdut, cannot get out of musician or musicians distinguished Rhoma Irama. Music pattern and song idyll dangdut masterpiece Rhoma Irama which is easy received by public, starts from 1970. he also does enrichment of musical instrument. She also then to be a mosleem its dangdut with Soneta, with password Sound of Mosleem. Increasingly grows it music dangdut, Rhoma Irama have also can show as a singer, musicians, stage manager, and film star, and plungs into various areas, for example can become a politician by following are of big party in Indonesia. Observes strunggle of Rhoma Irama in music dangdut, hence researchen interest to do research by specifying title “Change of Music Paradigm Dangdut Rhoma Irama”. Intention of this research is description wish to about change of music paradigm dangdut Rhoma Irama. Research type applied in this research is qualitative, to comprehend ist the object. Subject applied is Rhoma Irama. In researcher data colleting technique applies in depth interview method, and documentation. Here in after data is analyzed with technique applied that is phenomenologist, what emphasized at subjective aspec from behaviour of people. Based on research result which has been done it is known that development of music dangdut which has been fought for Rhoma, according to Rhoma Irama has experienced paradigm change, initially having pattern dangdut conventional-traditional, now changes character to become dangdut trendy,and creative dangdut. Factors causing the happening of change of music paradigm dangdut according to Rhoma Irama are fisrt, Rhoma Irama wishes to make music dangdut as cultural fence and fortress from foreign culture. Second, ambition to revolutionize music dangdut. And third, strives to submit social massage.

Item Type: Thesis (Other)
Subjects: H Social Sciences > HV Social pathology. Social and public welfare
Divisions: Faculty of Social and Political Science > Department of Sociology
Depositing User: Rayi Tegar Pamungkas
Date Deposited: 12 Jun 2012 08:34
Last Modified: 12 Jun 2012 08:34
URI: http://eprints.umm.ac.id/id/eprint/7426

Actions (login required)

View Item View Item