Adikelana, Danu (2009) REPRESENTASI WARIA DALAM PROGRAM ACARA KOMEDI DI TELEVISI( Analisis Semiotik pada Tayangan Komedi Nglenong Nyokk Episode “Pemilihan The Nanny” Tanggal 08 Agustus 2008, dan ExtravaganzaEpisode “ Banci Kriminal “ Tanggal 23 Agustus 2008 di TransTV ). Other thesis, University of Muhammadiyah Malang.
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Recently a lot of impressions of television, especially in the comedy event, showing the role of men dressed in women. Have separated from the motif of deviation from or not psychosexual PLAYERS, often the role is actually the figure of the individual biological and psychological wholly diversiform male sex, and basically any ongoing development his sexuality is healthy. Impressions on television are generally marked by a variety of imitative movement and diction women. interesting but observed that now, they are considered deviant, slowly began to show in existence appear in public through the mass media, especially television. news media create, birth, and raising loop-iconic figure who deconstruct the understanding of our identity as-body identity. This figure is modified in such a way to become a thing and show sold to the public. withdraw it, with the higher frequency of occurrence of the roles Transvestites this, matters relating to the Transvestites, such as movement and body language they use, and the adoption of symbols to be hidden violence in a number of impressions, and is usually used in the context of comedy . Theory used in this research is the theory of political identity. identity is all aspects of the culture of a specific space and time. This means that the forms of identity can be changed and associated with various social and cultural context. with the fundamentalist viewpoint, individual human being, meaning and identity can be through the study of the psychological theory called identification. This theory was developed by Sigmund Freud with the teachings psychoanalysis. representation cultural identity run through the mass media where the media work as a place of destination provided minority groups. Sentator culture media as symbols present in the culture of news, ads, and programs other television. mass media in context recognition identity this role as a watchdog sustainability of cultural expression and the dominant culture recognizes the special (subclutural) and new developments. Research methods used in this research is to approach semiotics. semiotics sign a role in the system, in any substance and the limitations are; image, signaling movement, body language, gesture, sound, music, object, background, where the mix of things, which form a conventional cargo ritual entertainment or contemporary. data collection techniques based on analysis of Roland Barthes Semiotic text that language is a system of signs that reflect the assumptions of a particular community in particular time. Roland Barthes develop two levels signs (Piliang, 2003:261, which allows for resulted meaning also that many-level, the level of denotation and connotation. analysis carried out in stages through a separation based on the forms icon. spatial icons will be used to see if there is a similarity between the form of symbolic or signs Transvestites behavior shown in the television comedy, with signs of life in the Transvestites in daily basis. Then, relational selected icons to identify whether there are structural relationships between both kinds of these. And last icons metaphor in use to see what the actual representation is reversed behavioral signs of life in the comedy on television is. Transvestites sexuality, effeminacy, and a bencong also recorded in the portrait of Indonesia TV industries. values in the community when the identity deducted into stage entertainment. Transvestites no longer be seen as a bitter fact of social reality but it has become a burlesque sell. when power and capital have been talking, then who is going to sell halal reality that not necessarily true Television as mass media, as its hegemonic, the undermining the Transvestites even worse in the community. the Transvestites considered as an object only in a negative perspective. see from the fashion scene in the Transvestites Neni in Ngelenong Nyokk election in episode The Nanny, who is too sexy and open. His behavior has not been very aggressive in that bedevil master Andre. such as the mini-skirt to tantalize (4:16 shown in the image and the image 4.17). Transvestites regarded as being without a self that is capable of doing anything to get what he wanted to even out the body. researchers thought that the scene was too vulgar. not to mention the violence that often received by the Transvestites to add elements of comedy are very fans by our society (such as appearing on the scene 2). This is a form of violence that can only teach in the community, how to treat Transvestites. image Transvestites grow worse when Extravaganza in the criminal episode transvestite told her Transvestites, thief, criminal acts and actors.
|Item Type:||Thesis (Other)|
|Subjects:||Q Science > Q Science (General)|
|Divisions:||Faculty of Social and Political Science > Department of Communication Sience|
|Depositing User:||Anwar Jasin|
|Date Deposited:||22 Mar 2012 11:44|
|Last Modified:||22 Mar 2012 11:44|
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