Primasari, Nitta (2008) REPRESENTASI PEREMPUAN DALAM FILM BERBAGI SUAMI Analisis Semiotika pada Film Berbagi Suami Karya Nia Dinata Produksi 2006. Other thesis, University of Muhammadiyah Malang.
Download (95kB) | Preview
Analysing polygamous phenomenon is very attractive process, since long time polygamous issue always heat to be talked, always there is which agree and or disagree. This matter seldom to be made theme in a wide screen] film masterpiece till, most made Indonesia films now only narrating or love have theme to of horor. Have been long enough Nia Dinata of the stage manager perceive polygamous issue, but since long time approach weared in studying polygamy always from theology aspect and film Berbagi Suami are first film which open polygamous phenomenon from various aspect, in the reality there is natural mind conflict of woman which have or is experiencing polygamy. So that watering down research process, researcher focussed in formula of problem of that is how woman representasi in film Berbagi Suami masterpiece of Nia Dinata. As for target which will reach from this research is to interpretation of representasi woman in film Berbagi Suami masterpiece of Nia Dinata. This research use analysis of semiotika Roland Barthes, passing Barthes pemaknaan of sign done two level that is and denotation of konotasi without overruling his myth. This type research is descriptive research, namely depict or elaborate matter with are there him and also use data qualitative to yield descriptive data in the form of words written or is oral the than behavior and people able to perceive. method of Semiotika basically have the character of kualitatif interpretatif, that is a focussed method is itself at text and sign as the study object of and also how researcher interpret and comprehend code. Scope in this research is to check concerning woman representasi which there are in film Berbagi Suami in all markings having the character of verbal and non verbal related to searched study as an text. Unit analyse from this research is based on scene which there is in film Shar Husband. But not all scene the researchs, but only selected scenescene which assumed researcher have represented appearance of existence of good marking of audio and visual which can mean, without having an eye to break or eliminate meaning of other scenescene. Technically above data analysis of researcher find representasi of existing woman in film, one of them at scene 26 when Salma meet with other wives of his husband. From here researcher find denotation meaning submitted by stage manager that when finally Salma come in contact with the husband wives of Salma do not show jealous or angry expression even Salma accept handshake of young wife of his husband. Hereinafter researcher catch meaning of konotasi that this is representasi of woman which independence, accepting handshake can be interpreted open attitude, and can accept others arrival because Salma the selfsupportingness have never taken as problem feeling of given love is other women for his husband. From researcher data analysis conclude that in epoch which have changed where woman have more selfsupporting and have role which is equal to men in the middle of society hence can become measure that polygamy have do not kontekstual again.
|Item Type:||Thesis (Other)|
|Subjects:||N Fine Arts > NX Arts in general|
|Divisions:||Faculty of Social and Political Science > Department of Communication Sience|
|Depositing User:||Anggit Aldila|
|Date Deposited:||08 Jun 2012 03:45|
|Last Modified:||08 Jun 2012 03:45|
Actions (login required)