PRATIWI, WINNIE (2008) REPRESENTASI KEHIDUPAN GIGOLO DALAM FILM INDONESIA (Analisis Semiotik Film Quickie Express Karya Dimas Djayadiningrat 2007). Other thesis, University of Muhammadiyah Malang.
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Lately in Indonesia a lot of circulating film lifting problems which still be assumed by taboo in our society is tabi in fact that in about us, like " Chocolate Stroberi" lifting problems gay, and " Quickie Express.Yang lift the gigolo problems. In this film is we will know in the reality do not be exclusive of womankind become the target of all lady killer boy. On the contrary, Adam clan even also can become the target of solitude women. This opportunity seems intentionally be exploited by a number of man to intentionally to prostitute the x'self to thirsty solitude women embrace of satisfaction seks. All man running this profession is referred as by ordinary of masculine prostitute or gigolo. unique and interesting story make the researcher interested, others in this time story in around gigolo is being conversed by warmness in society. This research draw to be analysed by secra semiotik with an eye to besides to more visible interpretered content (manifest contents) earn also mendeskripsikan fill the den defect (latent contents). With analysing the film from visual solidarity and audio a film do not is always interpreted by is of equal, depended by pda peminatnua. its Important is this matter is to become the analisys semiotik as medium to analyse the event, occurence which is considered to be by sign from communications process. Seen from its practical facet is to know the meaning and sign at the opposite of intention of representation of gigolo life in film " Quickie Express". Research type used in this research is with the type of research interpretative and use the semiotic which relate at trilateral theory mean the Charles S Pierce. What bent the mind to by meaning at the opposite of representasi of gigolo life of film of Quickie Express. this Research Scope is film of Quichie Express which berdurasi 118 minute. This research use the technique analyse the data semiotik from concept Charles S. Pierce of In concept Pierce, meaning to be found in film shall be grouped by as according to its type each, which then analysed by paying attention to element mean that is ikon, make an index to and symbol. Pursuant to research result which dilakka obtained by a the following result: from physical facet, Aming Direpresentasikan as bizzare gigolo figure because in physical Aming (Marley), its body is emaciated, its hair is not arranged natty. Lukman Sardi representasised as fair gigolo figure is which is in artian own the ordinary face. Piktor deputize the gigolo do not so is handsome the than run of the mill environment. Representasi as figure of gigolo keren here Tora sudiro which personating Jojo. Life Story, Jojo is impecunious young fellow, Aming (Marley) represent representasi as gigolo which like the to have artistry specially music. Representasi of Gigolo have education to intended here Piktor is direrpesentasikan as gigolo owning higher education. Life Style, Jojo represent the dressy representasi gigolo of realistic life with the x'self circumstance. Aming (Marley) is dressy representased young fellow live just as delicious as or impress by cuek. Piktor deputize the young fellow owning aspiration which must be pursued by Life style of Piktor represent the symbol one who establish where to equip its life style is they also melengakapi x'self with the symbol showing their status pass the clothes weared. rom is the result recommended by that face which garden needn't nor higher education to become a gigolo. Somebody with the face paspasn and education do not even also can become a gigolo. All boy can become the gigolo Only depend on desire and what there is existing opportunity to become a gigolo. For a boy of when he is oppressed in difficult life and avidity to alter the life but by instan, becoming gigolo is correct work. Swiftly luxuriant life style and production will be fullfiled.
|Item Type:||Thesis (Other)|
|Subjects:||N Fine Arts > NX Arts in general|
|Divisions:||Faculty of Social and Political Science > Department of Communication Sience|
|Depositing User:||Anggit Aldila|
|Date Deposited:||28 May 2012 06:31|
|Last Modified:||28 May 2012 06:31|
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