ISMAIL, ZAINAL (2009) PESAN NASIONALISME DALAM FILM INDONESIA(Analisis isi pada film Naga Bonar Jadi 2). Other thesis, University of Muhammadiyah Malang.
PESAN_NASIONALISME_DALAM_FILM_INDONESIA.pdf - Published Version
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Human life cannot get out of attendance of mass media. In mass communications context, film become one of the channel or media to submit certain messages from for the mannusia of. Film represent materialization from all reality life of world of yanr so wide of in society. For the reason film can grow imagination, stress, katakutan, emotional collision of audience khalayak impressing they follow to feel to become part of in film story. Besides message of film content can generate social criticism aspect, politics, education, science, life norm and entertainment amusement to audience khalayak.. This message wish to be checked by researcher. In this research of researcher wish to check message of Nationalism which implied in Indonesia film at Fragon film of Bonar Become 2 representing sekuel of Fragon film of Bonar (1987). With a purpose to research is to know how big frequency apparition of message of Nationalism in Fragon film of Bonar Become 2. This Research scope is entire scene of message of Nationalism at shot, of sertiap categorize which have been determined the. The category is 1. Love Fatherland 2. Domestic Love Product 3. Personality 4. Culture 5. National. While unit analyse in this research is shot, where shot used to limit research content which have clear in category. This research use descriptive quantitative under colour of analysis fill that is one of the research method which is its procedure is designed systematically and objective. In this research is obtained by look on Fragon film of Bonar Become 2, and identify scene which including into kategorisasi. To support data studied by bibliography while for the analysis of data presented in the form of quantitative in the form of tables of frequency and percentage of to count mean (means) as according to formula ofis problem of and target of research. Result of in research there are 55 shot which including nationalism, tired 44 amount of agreement frequency, what consist of six kategorisasi. Result of this research is category Love Fatherland shown by at scene 16, 17, 19, 20, 30, 33, 37, 39, 39, 41, 44, 48, 49. Kategorisasi Love Domestic Product shown by at scene 6, 9, 18, 23, 29, 31, and 36. Category Personality shown by at scene 1, 3, 4, 10, 11, 12, 13, 14, 45, 46, and 55. Category Culture of acting shown by at scene 2, 7, 8, 27, 47, 50 and 51. National Category of akring shown by at scene 15, 34, 42, 43, 52 and 54. From Frequency summary known that in Fragon film of Bonar Become 2 category Love Fatherland equal to 23,4 %, category Love Domestic Product equal to 12,6 %, Personality category equal to 19,8 %, Culture category equal to 12,6 %, National category equal to 10,8 %. From all result of finding in this research can be pulled by conclusion that frequency and percentage of predominated by category Love Fatherland. To the the result, can be recommended to all worker of film and penikmat of film that Nationalism have to be grown deeper again at Indonesia films to barricade Globalization current to be Indonesia film do not lose spirit as nation which is personality of strength.
|Item Type:||Thesis (Other)|
|Subjects:||H Social Sciences > H Social Sciences (General)|
|Divisions:||Faculty of Social and Political Science > Department of Communication Sience|
|Depositing User:||Anwar Jasin|
|Date Deposited:||23 May 2012 05:36|
|Last Modified:||23 May 2012 05:36|
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