Lestari, Laily (2008) BENTURAN BUDAYA GLOBAL DAN BUDAYA LOKAL BANJAR (ANALISIS SEMIOTIK PADA FILM “OREN JUZ” KARYA ANDREI BUDIMAN). Other thesis, University of Muhammadiyah Malang.
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Film as media of mass communications, representing representasi from life socialize. Film can depict various dimension of society life, do not aside from depict local culture, global culture and the cultural collision that happened between local culture and the global culture society. Film of Oren of Juice represent one of film of loaded indie of meaning will be local cultural of Banjar, global cultural and also the cultural collision that happened at society Banjar. Cultural Collision that happened at society of Banjar draw enthusiasm of researcher to perform research. This research cope to know how cultural collision that happened between local culture of Global Banjar culture and and also how local culture Banjar depicted in film. Depicted also how global culture of infection have local cultural and cause the happening of cultural collision in film of Oren Juice. This research represents study of Cultural Studies orienting at communications as production and transfer mean. In doing for meaning a film, needed a methodologies of appropriate research in order to later can express meaning of den defect at the opposite of existing meanings in film. Hence from that the researcher uses methodologies with technique semiotik. This research use approach of semiotik Roland Bartes, Pierce, Levis of Strauss and Propp. This because of researcher wish to express ideology of film through pemaknaan pursuant to denotation, konotasi, ikon, make an index to, symbol, and second of last phase that is analyse sintagmatik and paradidmatik, in theory of this semniotik [is] writer wish to trace meaning with cultural approach that is macro semiotik. Barthes give meaning of a sign pursuant to culture which the background appearance of the meaning, Peirce used to express Ikon Make an index to and Symbol of a scene, Sintagmatik used to know functional relationship in story and last analyse paradigmatik used to know contrary opposition from figure character. Methodologies in this research hence approach kualitatifinterpretatif with method analyse semiotik. Focus this research Local Cultural Collision of Global Banjar Culture and chosenly cutting scene in film assessed by researcher come near local cultural meaning banjar, global cultural, and the the cultural second collision. Unit analyse data this penelititan use meanings found on Angle, Setting, Type Shot and also mean and audio like dialogue. Data obtained from other VCD film Oren source and Juice which deal with research. Result of this research indicates that global culture very induces strength influence local culture area Banjarmasin. local Cultural found on Film of Oren of Juice tataran of denotation seenform of building region of Banjarmasin predominated by culture Banjar, and also some good scenefrom attitude facet, behavioral and the Ianguage which is using still mirror cultural existence Banjar x'self of figure in film Oren of this Juice, earn to meaning that cultural existence Banjar more or less still be remained among his society Global culture found on Film Oren Juice of stucture denotation seen at depiction of is way of and the attitude and also the Language which is in using by some of adolescent in the Film leave itslocal aspect, to the number of plagiarism element or imitate to earn clear caught from some scene in film, how seen loaded adolescent ikon shares behaviorally modern making an index to if life those who glamourous which also seen from luxuriant house building with colour striking, all that represent symbol from cultural direction change from them head for more modern, and last Cultural collision in Film Oren Juice showed in denotation [of] how global culture " eating" used up the local local culture, influence system from strong global culture so merambah entire adolescent life aspect especially which can interpreting still be labile in searching spirit, his influence is strong make some adolescent follow with the reason in order to value " more" but there are some rebeling but over a barrel.
|Item Type:||Thesis (Other)|
|Subjects:||N Fine Arts > NX Arts in general|
|Divisions:||Faculty of Social and Political Science > Department of Communication Sience|
|Depositing User:||Anggit Aldila|
|Date Deposited:||15 May 2012 03:17|
|Last Modified:||15 May 2012 03:17|
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