Analisis Semiotik Makna Nasionalisme Pada Film "Naga Bonar Jadi Dua" Karya Deddy Mizwar

Elviras, Elviras (2008) Analisis Semiotik Makna Nasionalisme Pada Film "Naga Bonar Jadi Dua" Karya Deddy Mizwar. Other thesis, University of Muhammadiyah Malang.

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Abstract

Public indonesia which has many adopting undeniable west culture has forgotten value value history of the. Struggle of warrior which has tried advocates fatherland so that we can feel independence of like this time starts eroded. Nationalism value increasingly fades and not seen desire to improve;repair it. Nationalism is one of understanding to remind us as respects to obstinacy of effort for the Indonesia combatants in grabbing independence. Fragon Film Bonar Jadi Dua is one of loaded film sign would. This film having story about a Naga Bonar which is persistent permanent in maintaining position of strarting nationalism eroded these days. This thing causes researcher to interest to do research to this Naga Bonar Jadi Dua film. Based on above background, hence researcher formulates problems as follows; Does nationalism meaning at film Naga Bonar Jadi Dua. Concreete step to answer this research problems is description of nationalism meaning at film Naga Bonar Jadi Dua. In doing pemaknaan of a film, required a research methodologies of yanng according to that later can lay open meaning which hidden returned [by] sign the sign in film. Hence from that is researcher applies qualitative methodologies having the character of interpretatif with analysis in semiotics. This research applies approach of semiotics Roland Barthes by doing approach of signifikasi two phases, that is phase denotatif and konotatif to film that is accurate. There are five scene is containing element of nationalism Naga Bonar. Result of research indicates that nationalism meaning in film Naga Bonar Jadi Dua that is shown with position to pride upon nation person and history of warrior a Negara, defence from the patriot in fighting against the side of strangers(foreigners, besides evocation at tradition of past as part is idolizing old tradition because nationalism has the relation of kepercayan with ancient habit also is position of nationalism. This research far from perfect word in laying open a sign, so that the next researcher especially university student Muhammadiyah Malang suggested to apply other analytical method like content analysis, framing and discourse. Besides, suggested also to the young sineas ( stage manager) film that more creatively in making film matching with our norm and culture especially Indonesia. Not only presents life keglamoran and film which can make controversy in public. Election of creative story idea that audience can catch message submitted.

Item Type: Thesis (Other)
Subjects: N Fine Arts > NX Arts in general
Divisions: Faculty of Social and Political Science > Department of Communication Sience
Depositing User: Anggit Aldila
Date Deposited: 02 May 2012 06:38
Last Modified: 02 May 2012 06:38
URI: http://eprints.umm.ac.id/id/eprint/3863

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